Amaranthine Saga. From the very beginning (in Book 1, in fact), I refer to the Saga & Songs. They’re both a part of Amaranthine lore and a clan tradition, since the sharing of stories (much like the sharing of names) is a way of life for those who have the luxury of time. Stories connect them. “Saga” recurs in the name of Keishi’s integrated high school, in Hisoka Twineshaft’s educational initiative in America, and as the name of the current era in the new calendar system (post-Emergence years are noted as N.S. for New Saga).
Glint had never given much credence to the sagas of storytellers, but lore seemed to be springing to life all around him.
Marked by Stars (Songs of the Amaranthine, #1)
I’ll show them,” Stewart offered. “This news may make our … situation easier to explain.”
Cedric muttered darkly.
“This way, please.” The younger man hurried to a nearby study and pressed a button. As a large screen slid into view, he addressed Tsumiko. “The Spokesperson’s announcement has captured the world’s attention … and imagination. He cherishes a human woman. From two species springs a third. He has transformed the Emergence into a love story.”
“Dogs do love their sagas and songs,” said Argent.
Tsumiko and the Enslaved Fox (Amaranthine Saga, #1)
Hisoka Twineshaft himself had delivered the opening address, reason enough for the news crews and paparazzi cordoned off in a sizeable section to one side of the auditorium. Spokesperson Twineshaft extolled New Saga students as the world’s future, a generation committed to living in harmony. And he’d pressed home one surprising point: they weren’t the same. And they didn’t need to be. New Saga’s students would be an example to the world—exploring their differences, finding their balance, forging the bonds of trust.
Kimiko and the Accidental Proposal (Amaranthine Saga, #2)
Miss Tamiko Reaverson, age twenty-nine, attended the recent New Saga conference for educators as an applicant for Hisoka Twineshaft’s school revitalization project. While there, she caught the attention of one of the organizers, who flagged her name in the system.”
Tamiko and the Two Janitors (Amaranthine Saga, #3)
“Isla, what can you tell us about Impressions?”
“Yes. Right. Quite.” He could hear the relief in Isla’s acceptance of the change in subject. “As it happens, I’ve had access to most of the old sagas. The collection at Kikusawa Shrine remains the most extensive, and thanks to the Miyabe family’s efforts, completely uncensored.”
“Sorry, sorry,” interrupted Tenma. “By sagas, do you mean stories like the one Kimiko borrowed for her courtship?”
“The Wolf and the Moon Maiden,” Isla supplied. “And yes. The sagas refer to the oldest heroic tales. Some belong to individual clans. Some are shared freely, usually by storytellers during a Song Circle. Oral tradition is more common, but many clans—like the Dimityblest—are compulsive about written records.”
Mikoto and the Reaver Village (Amaranthine Sage, #4)
FORTHRIGHT 